Issued: 02 / 2024
Publisher: Univerzita Karlova, Filozofická fakulta
ISSN: 2571-452X
167 pages
Literature and the Environment
Introduction
Robin MacKenzie and Petra Johana Poncarová, p. 1-5 |
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Literary Form and Coastal Sublimity in Ann Radcliffe’s The Romance of the Forest
Roslyn Irving, p. 6-18 |
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“A bird, or boat, or any thing”: Weedy Entanglement and Oceanic Freedom in Eliza Cook’s Anthropomorphous World
Rachael Eleanor Murray, p. 19-40 |
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Hospitality, Home, and the Environment in the Works of Ailbhe Ní Ghearbhuigh and Simon Ó Faoláin
Daniela Theinová, p. 41-65 |
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Deireadh an Fhoghair and the Environment
Petra Johana Poncarová, p. 66-86 |
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Resisting Domination: Merfolk and the Beach in Amy Sackville’s Orkney
Marion Troxler, p. 87-103 |
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On “Borrowing Landscapes” and “Shared Consciousness”: Alec Finlay and Ken Cockburn’s Collaborative Projects Writing Through Matsuo Bashō’s Oku no Hosomichi
Monika Kocot, p. 104-124 |
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Listening to the Environment: Alice Oswald’s D(eco)nstruction
Monika Szuba and Julian Wolfreys, p. 125-142 |
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Reviews
Kafka’s Scottish Translators: Willa and Edwin Muir between Anglophone and Central European Modernism
Charles Sabatos, p. 143-151 |
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Finally Available: Maura Laverty’s Dublin Dramas
Ondřej Pilný, p. 152-156 |
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Staging Myles: Performance and Performativity in Brian O’Nolan
Einat Adar, p. 157-159 |
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Notes on Contributors
p. 160-162 |
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