2024 (34) 67

Issued: 07 / 2024
Language: English / ISSN: 2571-452X
168 pages

Revisiting Brendan Behan Introduction: Brendan Behan at 100 Nathalie Lamprecht and Ondřej Pilný (Charles University, Czechia), p. 1-9 “Literature and the Hack”: Brendan Behan and the Newspapers John Brannigan (University College Dublin, Ireland), p. 10-27 “Gael an Taobh Thuaidh”: The Irish Language in Brendan Behan’s Journalistic Writing Radvan Markus (Charles University, Czechia), p. 28-45 Brendan […]

Revisiting Brendan Behan

Introduction: Brendan Behan at 100 Nathalie Lamprecht and Ondřej Pilný (Charles University, Czechia), p. 1-9
“Literature and the Hack”: Brendan Behan and the Newspapers John Brannigan (University College Dublin, Ireland), p. 10-27
“Gael an Taobh Thuaidh”: The Irish Language in Brendan Behan’s Journalistic Writing Radvan Markus (Charles University, Czechia), p. 28-45
Brendan Behan and the Irish Language: A Reconsideration Brian Ó Conchubhair (University of Notre Dame, USA), p. 46-64
Brendan Behan: A Late Modernist Writer Engagé in Postwar Paris Deirdre McMahon, p. 65-85
“A splendid figure of revolting womanhood”: The Women of Brendan Behan’s Short Fiction Nathalie Lamprecht (Charles University, Czechia), p. 86-104
Irony, Trauma, and Compassion: Brendan Behan’s and Maeve Brennan’s Mid-century Short Prose Klára Witzany Hutková (Charles University, Czechia), p. 105-124
“The most cooperative of writers”: Brendan Behan’s Collaboration with Carolyn Swift on The Quare Fellow James Little (University of Cyprus, Cyprus), p. 125-139
Rowdy and Rough: Brendan Behan Sings Songs from The Hostage David Livingstone (Palacký University, Czechia), p. 140-158
Notes on Contributors p. 159-161