>LITTERARIA PRAGENSIA 2026 (36) 71
ABSTRACT (en)
This article re-evaluates Henry Brougham, a pivotal yet critically neglected figure of the Romantic period, by exploring his only work of fiction, Albert Lunel; or, the Château of Languedoc. A prolific writer, legal reformer, and political force behind major nineteenth-century reforms, Brougham is often remembered more for his abrasive personality and ideological inconsistency than his intellectual contributions. The anonymously published Albert Lunel, a political and philosophical novel set on the eve of the French Revolution, reflects Brougham’s liberal cosmopolitanism, rational theism, and Whig scepticism of revolutionary excess. Although dismissed in his time as a didactic failure, the novel’s comparative study of national characters and institutions – ranging from France and Switzerland to the United States and the Caribbean – reveals Brougham’s nuanced views on reform, slavery, and democracy. The novel also functions as a self-portrait, confronting the author’s contested identity as a ‘foreign’ Englishman. Ultimately, while Albert Lunel failed to secure Brougham’s literary legacy, contemporary satire, particularly in Punch and Byron’s verse, immortalised him as a larger-than-life British eccentric. The essay argues that Brougham’s failed novel, like his career, exemplifies both the promise and the contradictions of Romantic-era liberalism.
KEYWORDS (en)
Henry Brougham, Albert Lunel, romanticism, liberalism, national identity, abolitionism, cosmopolitanism, French Revolution, Whigs, Tories, political satire
DOI
https://doi.org/10.14712/2571452X.2026.71.8
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